2026 Capitol Hill Chamber Music Festival
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ANNAPOLIS

 ST. ANNE'S EPISCOPAL CHURCH
 · Church Circle in Annapolis

www.stannes-annapolis.org


St. Anne's
St. Anne's Episcopal Church

Suggested Donation:
$20 to $30
(a free will offering - everyone welcome)
•  18 and under FREE  •

• 
All 2025 concerts at 7:30 PM •

We are grateful to St. Anne's Episcopal Church for their supportbaroque flute
Live Arts Maryland

Live Arts Maryland
presents  high-quality chamber,
orchestral and choral music
in Annapolis since 1974.

Early Music Ameriica

The Capitol Hill Chamber Music Festival is proud to be an affiliate organization of Early Music America, which develops, strengthens, and celebrates early music and historically informed performance in North America.

CHCMF presents outstanding
early chamber music in Annapolis
thanks to your support.


Washington, DC
Baltimore


2026 Capitol Hill Chamber Music Festival in Annapolis
~ Period Instrument chamber music from six centuries ~
~ in collaboration with
LiveArts Maryland and St. Anne's Episcopal Church  ~

2026: THE QUALITY OF MERCY
The 2026 Capitol Hill Chamber Music Festival celebrates our shared humanity
through the musical depiction of experiences of conflict resolution and compassion,
featuring 17th and 18th-century chamber music performed by period
instrument specialists from around the country and Canada.
September 22 - October 7, 2026
Please join our MAILING LIST for updated schedule announcements (please specify Annapolis)


  2026 #1  THESE DISTRACTED TIMES •



• Tuesday, September 22, 2026 at 7:00 PM
St. Anne's Episcopal Church at Church Circle in Annapolis
also in Washington, DC & Baltimore

Napper Cohan Wright
Susie Napper
~ viola da gamba ~
Elisabeth Wright
~ harpsichord ~
Jeffrey Cohan
~ baroque flute ~

Suites entitled "La Paix" (Peace) and "Le Guerre" (War) by Monteclair and "A Sad Pavan for these Distracted Times" by Thomas Tomkins all reflect the 18th-century composer's proficiency in providing perspective and solace in the face of discord and suffering and are to be included among other works by Couperin, Johann Sebastian Bach, Élisabeth Jacquet de La Guerre and Louis Couperin.


Elisabeth WrightSusie NapperJeffrey Cohan


  2026 #2 • A CHACONNE FOR PEACE •



• Sunday, September 27, 2026 at 7:00 PM
St. Anne's Episcopal Church at Church Circle in Annapolis

Louis XIV
Melisande Corriveau
~ pardessus de viole ~
Susie Napper
~ viola da gamba ~

Elisabeth Wright
~ harpsichord ~
Jeffrey Cohan
~ baroque flute ~



     Les Voix humaines, the widely celebrated prize-winning duo of viols from Montreal, joins us in a program illuminating the role of the chaconne in France as the culminating expression of an opera’s content at the court of Louis XIV. In  Jean Baptiste Lully’s "Phaeton" (1683), warring nations are unified in global harmony. In "Persée" (1682) divine intervention brings a celebration of peace for the people of Ethiopia. Chaconnes from these operas and Lully's "Ballet du Temple de la Paix", in remarkable transcriptions for a small ensemble in 1713 by Louis XIV's court librarian Philidor l'Ainé, will be presented alongside Couperin's "La Paix de Parnasse" and other selections by Marin Marais and Arcangelo Corelli, which demonstrate the stylistic chasm between the French and Italian styles that was debated so vociferously in France during the early years of the 18th century.
Les Voix Humaines



 2026 #3    • THE QUALITY OF MERCY

               SHAKESPEARE IN VENICE 1600



• Date to be announced
St. Anne's Episcopal Church at Church Circle in Annapolis

Shakespeare
Marlisa del Cid Woods
~ baroque violin ~
Anna Marsh
~ dulcian/renaissance bassoon ~
William Simms
~ baroque guitar and theorbo ~
Jeffrey Cohan
~ renaissance flute ~


     Shakespeare remarked that "The quality of mercy is not strain’d, it droppeth as the gentle rain from heaven" in "The Merchant of Venice", first performed in 1605. The Italian chamber music from this time to be included in this program for bassoon, transverse flute, violin and guitar was imbued with humanism's late 16th and early 17th century perspective that brought human emotion and individualism ever more poignantly into public consciousness in all the arts. Music embraced greater chromaticism and emotional palpability, leading to the unfolding of what we think of today as baroque style. Stunning and relatively unknown musical selections by Cima, Buonamente, Merula, Frescobaldi and others are to be performed on very rarely heard instruments.

Claudio Merulo Girolamo Frescobaldi Tarquino Merula
★     ★     ★
Anna MarshWilliam SimmsMarlisa WoodsJeffrey Cohan




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The Capitol Hill Chamber Music Festival has since 2000 presented chamber music by familiar as well as little-known composers from the Renaissance through the present on Capitol Hill in period instrument performances which shed new light upon early performance practice and contemporary works. Unpublished works from the Library of Congress are given particular attention, and many have received their modern day premieres during these concerts, in addition to premieres of works by Slovenian composers. The Capitol Hill Chamber Music Festival is a nonprofit corporation in the District of Columbia and an affiliate organization of Early Music America.


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virginals
~ updated August 28, 2026 ~
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for concert announcements including additional program information.
  by writing to: 
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CHCMF banner: detail from "Indeterminate Landscape" by James C. Holl.